Photo by Puuikibeach

While I’ve always wanted to create the kind of journals or diaries you can pass on to loved ones after you die (You know the kind I mean—leather bound beauties, filled with perfectly formed lines, a.k.a. legible ones, that share deep thoughts and entertaining tidbits that somehow manage to speak of the “human experience.”), one only has to flip one or two pages into my scrawls to realize my actual journals are the furthest thing from those daydream ones.

They’re completely random, messy, meandering things—half rant, half . . . boring.

Entries are inconsistent blurts of this and that. I do record small stories about my days, but more often I just vent—journaling to get things out of my system and process (deal with!) things that are going on around me-and/or in my head. And all that’s very valuable—just not something you want your family to stumble upon when you’re gone.

Or maybe it is.

I have a couple of my mom’s old notebooks. I was thrilled when my dad gifted them to me. But then I read them. And was . . . disappointed.

Only the beginning few pages in each were filled out. And there wasn’t a personal vignette to be found.

They were sermon notes. Now don’t get me wrong. I respect (and share) my mother’s faith. And I know the value of note taking—how it aids comprehension and retention. But there was nothing of her in the notes.

I poured over each page, hoping for a tiny visit—a whisper of her voice, her opinion, her humour, her angst, her . . . anything. I’d thought there might be snippets about my little toddler brother, tales about her and my dad, thoughts on parenting . . .

But these were not that type of journal.

What her journals aren’t, however, makes me think mine are okay. Maybe more than okay.

What if I’d read some never-before-guessed secret in my mom’s notebooks? I’d have been delighted, intrigued, curious, not incensed. What if I read her no holds barred inner response to a fight she and my dad—or she and I—had had? Would I be devastated? No. I’d grow from it, learn from it . . . And what if I read about unfulfilled dreams or came across scribblings about things she’d like to do in the future? The words might bring some pain, yes, but mostly they’d bring joy.

We often waste time hiding ourselves—or trying to, anyway. We try to disguise the darker sides of our nature, and strive to avoid what we perceive as “burdening” to others—the sharing of any sorrows, or questions, or doubts. Journaling should be an attempt to bust through that self-censor. A fight against the lonely notion that we can’t—or shouldn’t—say what we honestly feel and think, lest we offend, lest we unintentionally wound, lest people, really knowing us, cease to like us.

I’ve read extremely personal things taken from miscellaneous journals, and I’ve never thought less of the author—just the opposite usually. Uncensored details or observations about love, hate, confusion, beauty, ugliness, relationships—heck, about tea and simple pleasures, make me think, Ah, so that’s what it’s like to be him. To be her. And, perhaps ironically, help me understand myself better.

Someone famous once said something like, “I never worry about what someone might think of my diaries after I’m gone. I’ll be dead.”

Wise words. I wish I could fully embrace them—but the idea of someone reading all my journals makes me cringe. After all, I burnt all my childhood diaries when I was 13. I couldn’t bear the idea of someone perusing me. Sometimes I assure myself that’s what I can do with my spiral bound notebooks, too. But I don’t think I will.

While I can’t imagine anyone ever wanting to wade through my impossibly messy, navel-gazing cycle of snooze-inducing blah-blah-blah, my journals are part of me and I’ve made tenuous peace with them. And if someone does page through them when I’m long gone . . . Well, perhaps I should decorate each one with warning labels, similar to the one on my new yellow journal. . . .

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“On Journaling” by me, Ev Bishop, was originally published in the Terrace Standard, April 24, 2013 as my monthly column “Just a Thought.”

For many reasons I couldn’t, I wouldn’t, listen to the deep inner-whisper that never let up, Write, write, write, write, you need to write, it’s you to write, you love to write, write, write . . .

Then one day I was at a friend’s cabin on Lakelse Lake (Mark Anson—I am forever grateful to you!), and I came across The Artist’s Way by Julia Cameron.

I asked Mark about it, and he raved about how good it was, then added, “Actually, I pulled it out because I was thinking you need to read it.”

It sounds cheesy to say the book revolutionized my life. But that’s what happened. I “did” the book. (It’s laid out as a 12-week artist recovery program. But don’t laugh. That’s exactly what I needed.) I answered all the prying questions. Took the assignments seriously. Adopted a habit of morning pages. Started taking artist dates . . .

And by the end, though I realized I’d no doubt be plagued by insecurity again off and on (and that’s definitely been the case!), I had the tools to overcome the negative voices that would see me stifled and sure I couldn’t create—and more importantly: I was infused with joy and excitement and a huge AHA! I was a writer. A storyteller. Maybe even a poet. Not crazy. (Or at least, not all the time.) Not depressed. (Ha—again, at least not all the time!) Just angst-ridden because I wasn’t doing what I was meant to do. What was essential to making me me.

Does it all sound more than a little self-helpey? I guess so. But did it help me? Absolutely.

To this day, whenever I feel my courage regarding my writing start to wane, whenever I begin to second guess the time and effort I put into something so “selfish,” whenever I doubt that I’m working in the direction I need to be, I return to the steps in The Artist’s Way. I take up morning pages again. (I probably should never stop them to begin with, but that’s another topic.) I strive to “fill the well,” which basically just means intentionally doing things that nourish your soul, like going on artist dates (a.k.a. visiting inspiring places), taking classes or workshops directly related (or not!) to fostering/developing creativity, treating yourself to a little craft-related splurge, etc.

This month I found myself needing a little encouragement, a little more play in my work (and a lot less obligation), so I decided to bring back artist’s dates. Yay! (What’s not to love about taking time out to do things that you know will inspire or refresh you?)

My first “official” date was a workshop called Running With Brushes, led by Noreen Spence and Dianne Postman. It was incredibly fun. And what we “put out” was . . . Well, I actually have to say, it was art. Judge for yourself.

The two-hour paint fest was pure fun, but it also had practical carryover for my writing life—a reminder (with exuberant “practice”) to not over think, plan to death, obsess about each detail . . . just CREATE. Worry about craft and polish at some far off date when the created work is out there in full, where you can see its whole shape, wackiness, potential, nightmare spots, etc. At least that’s what I took from the workshop anyway.

I don’t know if you’re feeling a bit slumpish, or burned out, or burdened with lofty goals in whatever creative pursuit you hold dear . . . And don’t get me wrong. Goals are good. Plans are great. But artistic dreams shouldn’t feel like drudgery or chores. There will be agony and sweat and work, yes—but there should also be joy and euphoria—fun!If you’re experiencing lots of the former, not so much of the latter . . . Maybe you, like me, need to give your inner artist a play date or two. I highly recommend paint! ☺

Now I leave you with a quote Noreen gave us at the beginning of the workshop. It was exactly what I needed to hear, to remember, and to celebrate.

“Nothing is a mistake. There is no win and no fail. There’s only make.” ~ Corita Kent

Photo by Ev Bishop

I started to spring clean. I got as far as my library shelves and office cabinet.

I’m prone to flights of daydreaming and distraction at the best of times, but when I’m supposed to be tidying books? Heaven help me! All those ideas, all those adventures, all those life-changing worlds and words . . .

I’ve been known to box up books, only to go back and rescue select titles. I keep doubles of some novels—because they’re that good and because it is a truth universally acknowledged that if you loan books, you rarely get them back. (Of course that fact means I rarely lend in the first place, but I like doubles in case, you know, I start.)

Anyway, armed with fresh coffee, a multitude of multi-sized cardboard boxes, and a belly full of steely resolve, I headed to my miniature library.

I’d just gotten through my writing-related books (mostly keepers), when the biggest killer of productivity, house-cleaning wishes, and de-junking desires hit me: an interesting thought. My brother had been sorting my Dad’s books and commented that you can learn a lot about people from their bookcases.

I found his theory interesting. So interesting that I lost several hours to perusing titles with an eye to what secrets my books might tell about my psyche, obsessions, and beliefs, instead of focussing on whether or not I would ever actually read or refer to them again.

A deer skull (complete with lower jaw and teeth) sits atop one row of books (Christianity and other faith and religion texts). I’m not sure what that says.

A bottle of wine lounges on its side, coming of age in the lofty company of modern literary fiction greats like Joy Kogawa, Barbara Gowdy, Wally Lamb, and Eden Robinson. Why am I storing a bottle of wine there? To make the classic authors a shelf above and a shelf below jealous? Perhaps. Also, it looks kind of pretty.

I have a lot of science fiction—Orwell, Bradbury, H.G.Wells, Asimov and Silverman, Heinlein, Robert J Sawyer. . . .

A full shelf homes titles by authors who are also personal friends. And another carries autographed works. And I have a small (but growing!) section with books that carry stories by me.

I have gads of Stephen King, almost the full Merrily Watkins series by Phil Rickman (highly recommended, by the way), Diana Gabaldon’s wonderful genre-bending Outlander series, and a myriad of other scary or scintillating tales. They hulk in the shadows, balancing the sweetness and light of my Jan Karon and Maeve Binchy books.

As my children grew, I parted with any kids’ books that were lame—but as children and YA writers are top storytellers in my books (Ha ha, pun intended!), I still have one full five-shelf case of “must keeps.”

My collection is roughly 1/5 non-fiction (but within that, a full shelf is devoted to poetry), with a higher concentration of writing craft and religious texts—but lots of history, social sciences, and philosophy, too

What fascinated me most circles back to my original goal of pruning my collection. Weirdly, it’s not the best books I have the hardest time parting with. The story between the covers isn’t my only consideration—nor the information relayed, nor the style, humour, or power with which the author writes. Not even my firm “Will you ever read this again?” question actually determines whether I cull or not. No, what really hampers my ability to part with a book is the story within the story.

I bought this for Marriah and Christopher at that little bookstore when we were on holidays on the Island.

My aunt and I spotted this book at the same time. She let me have it, but I “owed” her.

This was the first book I read after my mom died.

Aw, this is the one Chris read to Christopher all the time!

Breaking Smith’s Quarter Horse! My dad was obsessed with this forever.

And that—the notion that the story within a book is only part of the reason it keeps its spot when another, arguably far superior, might be pulled—was eye opening. I’ve long fought junk collecting because I know what a trap it can become. I had no idea that the psychology behind why I hold onto some books is similar to why some people can’t get rid of broken toys, old clothes, or boxes of knick-knacks they haven’t looked at in years.

I’m happy to say I did complete my library/office weed through. I now have space to justify new books.

The shoe closet and the kitchen cupboards are next. I’m a little scared. If you think I build sentimental, unrelated attachments to books easily, you should see what I can associate with old mixing bowls or a pair of satin slippers!

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“Ms. Bishop. In the Library. With the Coffee Mug” by me, Ev Bishop, was originally published in the Terrace Standard, March 27, 2013 as my monthly column “Just a Thought.”

. . . writing is like cooking is like painting is like sculpture is like music is like gardening is like tying flies is like carving is like making bread is like making wine is like singing is like dancing is like cooking is like writing . . .

I’ve been thinking a lot about creative endeavours as a whole lately—thoughts sparked, I’m sure, by two gallery openings I got to attend (Noreen Spence’s took my breath away), but kindled into full flame by Laura Best’s great post on the same topic, my summer gallivants to the local farmer’s market and all the cooking I’ve been doing lately.

I love writing more than almost anything, playing with words, fighting with words, praying with words, crying and bleeding in words, loving through words, and yet—

When I cook, particularly when I’ve using fresh good ingredients, a feeling kindred to what I experience when I write wells up in me.

In concocting the perfect meal, there’s the same search for just the right bits and just the right balance of those bits—too much spice overpowers, diminishing/desensitizing the tastes buds, and flavour is actually lost, not enhanced. Too little seasoning and there’s no interest, no pizzazz.

And to cook well, you have to be brave, willing to experiment, not afraid to fail . . .

But you also have to build on prior knowledge—yours and others. Cooking is a pleasure and an art. It is also darn hard (and hot!) work sometimes. And there will always be those who don’t appreciate what you have to offer.

What you put into your work always counts. You can wreck quality ingredients, but it is hard to totally ruin them. On the other hand, however, if you start with crap—processed, chemically enhanced, super sugary, high fat junk—well, people might ingest it, might even think they like it, but for how long? That kind of meal does nothing for a person over the long term, has no lasting satisfaction and makes you feel empty sooner than later.

Good meals take time to prepare and they can be labour intensive, but the subtle flavours, complex layers and textures, the sensuous details—they give something to you that lasts far after you’ve finished the last bite. They become a part of your overall health and well-being. They create a feeling of abundance and community, and even if the taste was bittersweet, you’re better off for having experienced it.

Cooking and writing. I’ve yet to find better forms of nourishment. How about you? Is there something else that you do in life that echoes the joy and satisfaction that writing gives you?

p.s. My extended metaphor may have been a little over top for some of you (especially if cooking is your nemesis), but if you enjoyed it—or want a different analogy altogether—check out Jen Brubacher’s rather brilliant comparison between writing and building a house. It’s fun and very apt!

p.p.s. I’ve talked about cooking here before, if you’re interested in souping it up . . .

Read it!

Sure enough toward the end of the week, a little flame flared. I’d worked in my WIP enough to break through the plodding slump. New ideas zipped through my brain, sparking fires. I’m pretty confident I’m going to finish the rough draft of a new Toni Sheridan novella this month!

I took Thursday night off and went out for coffee with an editing/writing colleague and gained fresh energy, listening to her excitement over upcoming plans to step back from her editing and focus more on her own novels.

A friend, who’d needed some encouragement in her own artistic pursuits and found the pep talk she needed in a speech by Neil Gaiman, referred said speech to me. He had so many good, thought-provoking things to say that I plan to listen to it again soon with a pen and notebook in hand to jot down quotes. Perhaps what spoke to me the most was his advice to enjoy what we’re doing and where we’re at right now . . . and his observations about friends who are so unhappy in the work they do, and how lucky we are to have something we love.

And then, the icing on my week! Author Liz Schulte (who I’ve raved about before because of her talent and her amazing work ethic) gave me the most fantastic news. One of her latest books, Easy Bake Coven, was selected by iBooks for their Break Out Books in the UK and Ireland list. So exciting and so deserved!

The news followed contact made by Amazon last month, asking Liz if they could set up pre-orders for her next book (Easy Bake Coven’s sequel, Hungry, Hungry Hoodoo) because her sales are that good. I’m beyond excited to see her breaking out and her books becoming mainstream. She offers fast-paced, edge of your seat mysteries and page-turning urban fantasy adventures, and her characters are great. If you haven’t tried her yet, you should.

Goals and dreams—however fun, sometimes silly, and “too big” they may sometimes seem—do come true. Can be achieved.

Do go and check out Liz Schulte’s books, and if there’s anything you take away from my meh-to-motivated week, let it be the lovely reminders I received: Do the work. Make time to refuel. Celebrate what you’ve already accomplished. Dream and make plans!

“Early Spring Daze” – Photo by Ev Bishop

Like, regardless of whether my new year’s resolutions have already fallen by the wayside or whether I’m already behind in my yearly goals whatever they may be, it’s okay because it’s spring. Time for new growth. For planting. For milder weather and easier times.

And this year, thanks to our gentle winter, the promise of spring has come earlier than usual. (And I say this despite the fact that as I write this, snowflakes as big as my fist are falling from the sky. That’s the kind of optimism spring brings! The kind that makes me smile at the crazy, cold sky and say with great confidence, “Oh, it’s okay. It’s not ‘staying’ snow.”)

I think everyone feels it—or I hope they do: a rush of hopefulness and happiness as plans about what they want to do in the warmer months in beautiful Terrace unfurl in their minds.

I’ve been poking about my perennial beds with glee. Things are going to take off early this year—but not too early. (Nothing’s so developed that I’m worried everything will be killed if we have a late cold snap). I’ve noted that I need a new roof and my house is desperate for a paint job. (The past four or five years it was just in want of a paint job. The desperation is new.) I even contemplated an old-fashioned spring-cleaning as I looked at my walls, but thankfully came to my senses. There’s no need to get too crazy now.

But whether the walls get scrubbed or not, spring always feels like it harkens a new season of industry, one where I’ll get to all my chores—and enjoy doing so.

And this year spring is more exciting than ever because I feel like thrilling new growth abounds beyond my own yard, small gardens and personal aims. Wherever I venture in town, development is afoot.

After years where it seemed like our shops and merchants were just struggling to hold on and keep the rent paid, parking lots are filled with cars. Long empty retail spaces are filling up. And the Skeena Mall . . . well, holy Toledo, it actually looks like a mall. Maybe it’s weird to be grateful to contractors you’ve never met, but every time I look at the lovely Skeena Mall logo with its swirl of green pine, that’s what I feel.

And equally weirdly, I’m thrilled by the big signs on the corners of the mall parking lot that will one day advertise the stores that fill the mall. Finally! I never understood why mall merchants weren’t permitted to have outdoor signs. Kudos to those who enabled the change.

New restaurants have opened up and will hopefully thrive, including our very own sushi bar. Shops and companies that started out small are expanding, buying or renting bigger office spaces, building new, larger shops. Oh, Terrace, after years of dormancy, we’re growing again!

Spring. It’s the perfect time to muck in the mud, figuratively and literally—but it’s also a great time to clean up and go walk about and window shop (and also to shop shop!). In winter, we (or, at least, I) tend to bundle up and run from one place to the next on a mission to do whatever I need to do quickly. In spring, it’s time to meander and daydream.

I hope whatever you’re up to this spring finds you inspired and motivated—and that when you smell that hint of stink under the sweet fresh breeze that’s soon to bring us warmer days, you’re filled with a sense of anticipation and promise. On small and big scales, in personal and public matters, it’s going to be a great growing season.

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“Spring Stinks” by me, Ev Bishop, was originally published in the Terrace Standard, February 27, 2013 as my monthly column “Just a Thought.”

Photo by bibliothekarin on flickr. Click picture to see more of his/her art.

Uh . . . In a word, no.

In more words: not even close, though I have played enough Tetris Battle on Facebook that I’m out of energy and can’t play anymore (which is a relief, because if I was waiting for willpower to get me off the stupid game, I’d be there ’til tonight). I keep getting stuck between Level 20 and 21–but I digress. Where was I? Oh, right . . . Out of energy.

So I opened my planner because rather than actually get started, I figured why end a perfectly good stretch of procrastination when I can continue it by industriously planning to to start . . .

And what’s the first thing I see? The inspirational quote for this weekend:

“Romance and procrastination do not go hand in hand.” ~ Chris Howden.

I have no idea what Chris meant by those words exactly, but seeing as my current WIP is a romance and I’ve been stalling most of week, writing only in fits and spurts, it felt like pretty pointed commentary. Disliking being pointed at, not feeling inspired, I decided to turn the planner’s page. Surely better, sager, less mean advice would be there to motivate me.

What meets me?

“I’m a huge fan of my iPad, but the question remains: is it an incredibly useful piece of technology or the ultimate portal for distraction?” Noel Hudson.

Okay, fine. I can take hints wielded as subtly as a baseball bat. I’m getting to work now.

(As soon as I refill my coffee!)

“Spring Always Arrives” – Photo by Ev Bishop

Sometimes I romanticize the writing life. (Well, pretty much every aspect of life actually, but I’ll just focus on the writing aspects for now.) And while normally I feel this is a lovely quality, it has a downside. It can make me feel, when writing sessions are more tedious than magical, that maybe it’s because of some inherent flaw in me. Maybe I’m an impostor. A fraud.

I want “perfect” writing days:

Sessions where every penned nuance and detail is rife with significance.

Times with the texture and quality of embossed leather or whiskey soaked velvet (though if I think about it, I’m not really sure how either of those would describe a day at all).

Sprees filled with rambling, writerly chats, obscure poems found wedged between the floor boards in a bedroom of a long vacant house (again, a detail that seems sort of impossible to randomly happen upon when my butt is planted in my office chair, but don’t over think things: this is a perfect day, people!), and wine drank from pewter goblets.

Weather that’s all sunrise, sunset, or storm. Lavender-grey sky. Charcoal-soot clouds. Pounding rain that bends the trees and echoes my heart.

Hours when time pauses and my prose falls effortlessly upon the page, as moving and powerful as a wind that shakes leaves, bends boughs, and changes the season.

I want to be the poet in the turret, the crazy longhaired maiden-crone in the attic (but one whose family doesn’t disown her!).

So, although I often find that the reality of being a writer is pretty great, by comparison to the stuff of my daydream writer life, it’s sometimes a little disappointing. Or a lot, depending on the day. I’m continually surprised that writing is actually work—sometimes really hard work. It’s something I have to schedule in. It rarely just happens. And often it’s painful, like I’m a surgeon charged with the task of removing my own organs without anaesthetic and spreading them around for the world to see. But worse than the pain is the fear.

The fear that I actually have nothing to say. That perhaps the story “The Emperor’s New Clothes” was written with me in mind (“Aren’t they beautiful?” “Isn’t what beautiful? There’s nothing there.”) Fear that I am mediocre at best. Fear that people will see me naked and laugh, or worse, avert their eyes, turn away—ashamed, unable to relate, embarrassed for me. And even more fear: that I will never be read or connected with at all. I will send parts of myself into the void and be met with . . . silence.

How silly I am to worry about such things hit me afresh yesterday.

I’d fled my computer for a break to work in the yard. The air had a quality that, I don’t know, just made me want to laugh. Sweet and fresh, yet here and there, tinged with the earthy scent of dead plants, no longer frozen, freed to rot. The fecund smell of approaching spring is so ancient and independent of human involvement that it always seems almost otherworldly to me—yet also somehow makes me feel like every dream is possible.

The sun was trying to warm the winter-cold earth, and a brisk breeze carried an invigorating lesson: New life erupts from death. Growth springs forth from decay and rot and . . . well, shit.

Creation can be painful—just listen to my chickens. Yet, day in and day out, they each lay an egg—and though they complain bitterly during the process, they squawk equally proudly about the results of their labour. And as inglorious and common as laying an egg every day may be to some, each speckled brown oval is its own miracle too.

Does the chicken question whether it can lay an egg, or if it can, will it be a good enough egg, or if its worthy of even attempting to lay an egg in the first place? I’m not a chicken whisperer, but I don’t think so. Hens definitely seem to have more of an “I’m a chicken, dammit. Of course I lay eggs. Get over yourself and get cracking” attitude. Can I do any less or be any less pleased with my output?

And the chickens lay regardless of the day, temperature, or individual mood—mild and balmy, or bitter and hideous. And likewise, my hedge puts out buds when it’s supposed to, despite the wind, the danger of frost. . . . It seems to like it when I fuss, but it does its thing whether I’m there or not.

I have perfect dreamy writing days occasionally, and they’re amazing. I mean who doesn’t love to feel their work is going well, that they’ve connected with something deep within themselves, and enjoyed the process? Who doesn’t revel in a bit of romance?

I wonder though—perhaps ironically—if my writing is better on the days it feels like organ-extraction? Or if maybe the revolutions between between angst and toil and ecstasy and pleasure are all necessary? Maybe writing is like the rest of life, a continual shift of seasons. Some more enjoyable than others, perhaps, but all crucial, all inevitable. And maybe it’s just something I shouldn’t think about too much—just enjoy and accept (with a little squawking occasionally!).

“Mmmm” – Photo by Ramona Higginson

It struck me as being both very true and very good advice. My head is usually full of details about things I don’t like about myself and want to change, areas I see myself falling down in that I want to shore up, and aspects of my relationships that need work. And this year (today!) is no different.

If one were to read any or all of my journals (And boy, I pity the poor fool who ever does—how boring and myopic my ramblings are!), he or she would see I’ve been dealing with the same stuff—the same questions, the same passions, the same laments, etc.—my whole life.

I do grow and change (or at least I hope I do!), but no matter what season a tree is in, it is still a tree, and I—much to my frustration at times—am always me.

For almost as long as I can remember, many of my primary goals, plans, and answer seeking have somehow centered around one or more—or some combination of—the following:

Faith. Is there a God? I believe, 100%, unequivocally, yes. What does He want/expect from us? How should I live? That gets trickier and sets the stage for a lot of my quandaries and questions.

Relationships. Why can’t I be all that I want to be for my friends and family—and why can’t they always be what I want/need them to be?

Pain. Personal, but also in the world at large.

My weight. I hate that honesty demands I mention it here. I want to be done having weight/body issues. I have wanted that since I was eleven. I’ll keep you posted if it ever actually comes to pass.

Writing. My grand passion—and the best way of dealing with life I’ve ever found. I always have tons of writing-related hopes and goals.

The point I’m getting to? Well, I’m not exactly sure. Part of me wants to write a ream of resolutions in keeping with my list of obsessions. The other part of me wants to pretend I’ve outgrown my old patterns of constant searching and questions, of discontent and striving.

But that’s why I like the quote. It doesn’t say we should’ve arrived at a place in our lives where we don’t have questions or see what we want to improve—or that there is some magical phase of life where no improvement is needed. It just says we should also look at the good we’ve already accomplished (or, perhaps, that exists without any help from us) and build on it.

And with those thoughts—and a mug of steaming Earl Grey at my side—I’ve decided to look at the rooms of my life with different eyes this year, and to journal about what I notice. I’ll still give time to plans and things I’d like to change, but I’m also aiming to acknowledge what I’ve already started and record things that hopefully I’m doing right, answers I believe I’ve found, areas that have healed, and ways I may have helped others—and can help further. There’s a lot of potential in 2013!

“A New Year’s Pondering” by me, Ev Bishop, was originally published in the Terrace Standard, January 23, 2013 as my monthly column “Just a Thought.”

“In the Distance” – Photo by Ev Bishop

At one point I asked them why they write. I guess I was looking for some grand eureka. I also asked if there were topics and/or subject matter they personally considered taboo or off limits.

The conversation zipped all over the place in a myriad of fascinating (to me, anyway) directions and off shoots. One comment, made by Angela, particularly struck me: everything she writes must explore something that (for her) is a theme of value.

Other than that, she has no rules regarding things she will or will not write about, or how a theme is explored in terms of language used, situations depicted, etc.

She went on to explain modestly, maybe even a little self-consciously, that by saying that she doesn’t mean every story she writes has some big deep theme (though I’d argue most her stories do). A focus can be as simple (or complex!) as looking for home or valuing friendship.

Work must explore a theme of value. The idea, to me, is profound. Is, perhaps, the Eureka I was looking for when I ventured into my forest of questions.

I have long pondered why some novels’ scenes on difficult subject matters, for example, rape—feel somehow wrong or almost sensationalist, while others on the same topics, perhaps even more graphic in their detail, etc., feel somehow right and important to the story and to your reading/relating to it—even while they’re deeply disturbing or unsettling or rage-invoking or whatever.

In my own work, I’ve worried about crossing the line between honestly exploring and rendering what it’s like to be human and being gratuitous.

My worry was foundless. Theme dictates content. If one’s exploring a theme of value—which resonated with me as something I do, too—events in story, regardless of how graphic, disturbing or sexy they may be, will not feel gratuitous. The work’s objective prevents it.

Thoughts?